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The aforementioned features are the main characteristics of Yu Dafu’s autobiographical novels, and also the key parts constituting the writing style of Yu Dafu.
Li, Jin. 'On the Inferiority Complex in Yu Dafu's Early Novels.' Chinese Literature (Beijing). 4(1988): 170-82. 584 / Eva Yin-I Chen Lu, Sheldon Hsiao-Peng. 'When Mimosa Blossoms: The …
two works by Yu Dafu and Akutagawa, how nihilism was an authentic literary response to political and social crises in Southeast Asia – rather than a matter of stylistic imitation – and thereby to …
Yu Dafu shares with Guo Moruo an unre- solved tension between Romantic egoism and traditional holism, but whereas Guo's poetry melds the two together into an utopian idealism, …
Summary 1 Introduction. – 2 Yu Dafu’s Translating Career. – 3 Yu Dafu’s Views on Translation. – 3.1 The Translator’s Subjectivity. – 3.2 The Principles and Ethics of Translation. – 3.3 …
Yu Dafu wrote about death in Sinking, but he did not aim to depict “death.” The death of the character is due to the humiliation of being a national from a weak foreign country.
Yu Dafu and his protagonists are frustrated in their attempts to simultaneously achieve self-expression and communication: remember that the professed desire - always left unfulfilled - of …
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The unharvested grain, ripened to a 11. The famous Qing poet (1749-1783) is the hero of Yu Dafu’s story, “Colored Rock Cliff.” 62 - Fiction, 1918-1949 yellowish gold, gave a most brilliant …
Yu Dafu makes repeated reference to foreign texts within his literature, as well as medical terms in English such as “hypochondria” and “megalomania”, perhaps most reflected in his first ...
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